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Contemporary African Art Collection by Jean Pigozzi

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Aviao da nova era (detail) Mabota-Titos
Aviao da nova era Mabota-Titos
Aviao da nova era Mabota-Titos
Bicicleta rural (detail) Mabota-Titos
L’art et la machine, Musée des Confluences, Lyon, France
from 10/13/15 to 01/24/16
L’art et la machine présente la relation étroite entre le regard de l’artiste sur la machine et l’évolution des technologies industrielles et mécaniques, depuis les planches techniques de l’Encyclopédie au XVIIIe siècle, jusqu’à aujourd’hui, à l’ère électronique.

Le parcours de l’exposition révèle les liens constants qui existent entre les machines et les arts plastiques. Le regard du public oscille ainsi à chaque instant entre l’esthétique mécanique et son interprétation artistique. Il est invité à partager tour à tour la fascination, l’inspiration, la collaboration jusqu’à la rêverie et la création de chimères de l’artiste.

Plus de 170 pièces remarquables issues de 44 musées en Europe sont ainsi
réunies pour la première fois. Sur plus de 1 500 mètres carrés d’exposition.


Luminós/C/ity.Ordinary Joy: From the Pigozzi Contemporary African Art Collection, Ethelbert Cooper Gallery of African & African American Art, Harvard University, Cambridge, MA, USA
from 10/21/14 to 01/08/15
"We are pleased to announce that the Ethelbert Cooper Gallery’s inaugural exhibition will comprise selections from the Jean Pigozzi Collection of Contemporary African Art (CAAC). David Adjaye, the renowned British-Ghanaian architect and the designer of the Cooper Gallery and the Hutchins Center façade, also serves as co-curator of this first exhibit, along with Mariane Ibrahim-Lenhardt. Adjaye heads a curatorial team that offers a unique dialogue between art and space that we think will set the tone for exhibitions to come. Luminós/City.Ordinary Joy will feature 69 works by 21 artists. It illuminates the everyday, ordinary, and ubiquitous world of the city characteristic of so many of the works in Pigozzi’s collection, evoking a sense of place and facilitating a dialogue between body, home, transit, and dynamic urban dwellings. The models, sculptures, photographs, paintings, and videographies of vital city life will convey a vibrant urgency to the Gallery’s visitors."

Opening in fall 2014, the newly established Ethelbert Cooper Gallery is one of eight flagships of the Hutchins Center at Harvard University. It will feature both contemporary and historical exhibitions and installations of African and African American art of a global diaspora. The innovative and distinctively designed gallery exhibit spaces will house shows organized by curators, faculty, artists, students, and distinguished guests. The gallery will host a wide range of dynamic workshops, artist talks, symposia, lectures and performances to engage audiences with diverse art archives and cultural traditions from all over the world.


Why Africa? Pinacoteca Giovanni e Marella Agnelli, Turin, Italy
from 10/06/07 to 02/03/08


THE PIGOZZI COLLECTION
6 October 2007 – 3 February 2008
curated by André Magnin

The Pinacoteca Giovanni e Marella Agnelli is pleased to present Why Africa? The Pigozzi collection, as part of its new cultural programme dedicated to art collections.

The exhibition is having its Italian première, curated by André Magnin, Artistic Director of Contemporary African Art Collection (the Pigozzi collection), the world’s most important collection of contemporary African art.

Created in 1989 by the joint efforts of Jean Pigozzi and André Magnin, who was deputy curator of the exhibition Les Magiciens de la Terre being held at the Pompidou Centre at the time, the collection is constantly evolving with the addition of works by artists of various generations from sub-Saharian Africa. It maintains strong links with the artists it supports, giving them visibility and recognition on the international art scene, and this was confirmed this year when the 52nd International Venice Biennale awarded a Golden Lion for lifetime achievements to 72 year old photographer Malick Sidibé, because no one is worthier than him to receive this honour (Robert Storr).

Jean Pigozzi reveals his passion and obsession for African art in about one hundred works selected from the collection, several of which have never been exhibited before. The exhibition includes drawings, paintings, sculpture, photographs, installations and site specific works as the one conceived by the South -African artist Esther Mahlangu for the new Fiat 500.

The great wealth of African contemporary artistic output is presented through the work of several artists -Frédéric Bruly Bouabré, Bodys Isek Kingelez, Chéri Samba and Malick Sidibé, George Lilanga and Keita Seydou, precursors of contemporary African art who died recently – who overcame the stereotype of folklore and decorative art of the postcolonial period and forged links with Western art, developing their own autonomous language.

The majority of these artists produce works that are figurative or inspired by current topics, depicting a reality that is both local and global.

One of the most obvious constants is the deep bond with the territory: the artists address the territory first and foremost, and they work with what is familiar to them; their art is inclusive, rooted in history and against division. Art that comes from the people, addresses the people and returns to the people, in the words of André Magnin.

The exhibition will be presented in a special setting created by Ettore Sottsass and Marco Palmieri.

A number of conferences and meetings and a film screening dedicated to Africa will be organised during the exhibition, supporting by ERSEL.

The guide to the exhibition has been realized by Fabrica, Benetton research centre on communications. Created to lead the visitor through the ‘itinerary’ of the show, the guide offers an insight to the artists and their work.



100% Africa, The Guggenheim Bilbao, Spain
from 10/12/06 to 02/18/07

This exhibition presents 25 contemporary African artists who live and work in sub-Saharan Africa. Painters, draftsmen, photographers, sculptors, and video artists from several generations are featured, including artists of international renown like portrait artist Seydou Keïta, painters Chéri Samba, George Lilanga, and Richard Onyango, the encyclopedist and universalist Frédéric Bruly Bouabré, the unclassifiable Bodys Isek Kingelez and Romuald Hazoumé, as well as younger, highly promising artists such as Abu Bakarr Mansaray, Titos Mabota, Pathy Tshindele, and Calixte Dakpogan, in an installation by leading Italian designer Ettore Sottsass and by Marco Palmieri, a prominent member of Sottsass’s team.




Biography (EN - FR) / Exhibitions

Please note that the artworks shown on this website are not for sale.

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Bicicleta rural Mabota-Titos


Art exhibitions featuring Titos Mabota - © 2010-2017 The Contemporary African Art Collection - Contact Caacart - Seydou Keita Photographer, the official website, new, click here