The Jean Pigozzi African Art Collection

100% Africa exhibition [in situ view] - 2006
Artworks:
Bicicleta rural, 1998 (Wood and ropes) & Avião da nova era, 2004 (Mixed media)
© Titos Mabota
AFRICA, 2006
Photo: Erika Barahona Ede
© FMGB Guggenheim Bilbao

Avião da nova era - 2004
190 x 200 x 320 cm
Mixed media

Avião da nova era - 2004
190 x 200 x 320 cm
Mixed media

Avião da nova era - 2004
190 x 200 x 320 cm
Mixed media

Avião da nova era - 2004
190 x 200 x 320 cm
190 x 200 x 320
Titos Mabota standing next to his plane.

Avião da nova era [detail] - 2004
190 x 200 x 320 cm
Mixed media

Bicicleta rural - 1998
180 x 150 x 350 cm
Wood and ropes

Bicicleta rural [detail] - 1998
180 x 150 x 350 cm
Wood and ropes

Bicicleta rural [detail] - 1998
180 x 150 x 350 cm
Wood and ropes
Titos Mabota

Fernando Agostinho Mabota, called Titos Mabota
Born in 1963
Died in 2017
Lived and worked in Maputo, Mozambique.
In Mozambique, the modern and contemporary rendering of traditional makondé sculpture has long been one of Africa’s most prestigious artistic expressions. It is still made today on the high plains of the Mueda region and in neighbouring Tanzania. Only when the civil war ended in 1993 did Mozambique recover the peace and freedom that would foster an explosion of creative activity by young artists. Numerous artists born during the war years quickly established an art scene imbued with the details of their daily life and the traumas they had experienced. The sculptures by Gonzalo and Koestler based on weapons – fists grenades and bazookas – are most representative of these trends. As they have learned to use their new freedom, some artists painters and photographers, painters and photographers have developed works less closely linked to this historical context.
These artists have formed associations known as “Art Cores”, which comprise not so much an artistic movement as a place for sharing, for working and for holding permanent exhibitions. This is the context in which Titos Mabota most often works. His work is quite distinctive, seemingly crude and cobbled together, but in fact very carefully thought out and painstakingly executed over long stretches of time. He himself declares that in his rare monumental works, the notions of good, evil and truth are omnipresent. For this artists, art must change life and be intelligible to all his long-suffering people.
SELECTED GROUP EXHIBITIONS
2015
L’art et la machine, Musée des Confluences, Lyon, France
2014
Luminós/C/ity.Ordinary Joy: From the Pigozzi Contemporary African Art Collection, Ethelbert Cooper Gallery of African & African American Art, Harvard University, Cambridge, MA, USA
2007
Why Africa?
Pinacoteca Giovanni e Marella Agnelli
Turin, Italy
2006
100% Africa
Guggenheim Museum
Bilbao, Spain
2005
As Portas Do Mundo
Evora, Portugal
2005
Africa Hammer
CCFM, Maputo, Mozambique
2005
Biennale of Johannesbourg, South Africa
As Portas Do Mundo, Evora, Portugal
Africa Hammer, CCFM, Maputo, Mozambique
2004
Africa Remix.
Düsseldorf, Germany, Museum kunst palest July 24-November 7, 2004;
London, United Kingdom: Hayward Gallery, February 10-April 17, 2005;
Paris, France: Centre Georges Pompidou, May 15-August 20, 2005;
Tokyo, Japan: Mori Art Museum, June-September 2006.
Catalogue (published in German, English and French).
1999
Astrup Fearley Museum, Oslo, Norway
SELECTED SOLO EXHIBITIONS
2010
"O cavalo de Tróia", CCFM, Maputo, Mozambique
2002
“A Moto”, CCFM, Maputo, Mozambique
2001
“Dimensoes Tradicionais”, CCFM, Maputo, Mozambique
1994
Association Mozambicaine de Photographie, Maputo, Mozambique
SELECTED BIBLIOGRAPHY
2015
L’art et la machine, Musée des Confluences, Exhibition catalogue, Lienart publishers, Paris
2007
Why Africa?
Exhibition catalogue. Published by Electa & Pinacoteca Giovanni e Marella Agnelli.
2006
100% Africa
Exhibition catalogue. Published by TF Editores & FMGB Guggenheim Bilbao Museum.
2005
Titos Mabota, - Sculpteur (Les carnets de la création : Mozambique).
Texte de Juan M. Altacampo (trilingue français, portugais et anglais)
Éd. de l'œil, Montreuil